Billy F. Gibbons doesn™t pull any stylistic or tonal punches, so you™d expect his take on the seminal Les Paul Goldtop to be a knockout”and it is.
The first ground-up revision of Gibson™s stunning original solidbody electric in over 60 years is a masterpiece of style. In addition to its luscious goldtop finish, it features a unique pinstripe design created by Billy himself, which is hand-recreated one at a time by respected hotrod-pinstripe artist Rick Harris and a Gibson artist trained personally by Rick. Sonically and visually, the guitar blows the doors off the venue with a neck profile measured precisely from the Rev™s own Les Paul, ultra-light construction, custom electronics, and a pair of Seymour Duncan Pearly Gates pickups.
150 Billy F. Gibbons Goldtops will be carefully hand-aged, with 50 of them played and hand-signed by Billy himself; each of these will have the added kitsch of a Texas-shaped buckle rash wear pattern adorning its back. A further 150 VOS models round out the Limited Run of 300 guitars.






In addition to a Certificate of Authenticity, as a quirky custom touch 150 hand-aged guitars will have a Texas-shaped buckle rash wear pattern on the back, and their COAs will be engraved and leather-bound.
Body
| Top | Hard Plain Maple |
| Back | Genuine Mahogany |
| Binding | Single-ply Cream |
| Adhesive | Franklin Titebond |
Neck
| Species | Genuine Mahogany Neck with a Maple Spline |
| Profile | ™50s Gibbons |
| Truss Rod | Reissue Truss Rod Assembly |
| Joint Angle | 4° (+/- 15 seconds) |
Neck Fit
| Joint | Mortise & Tenon |
| Adhesive | Hot Hide Glue |
| Joint Angle Tolerance | +/- .005″ |
Fingerboard
| Species | Rosewood |
| Radius | 12″ |
| Binding | Single-ply Cream |
| Inlays | Nitrocellulose Trapezoid |
| Nut/E.O.B | 1.687/2.062 |
| Adhesive | Hot Hide Glue |
Nut
| Material | Nylon |
| Width | 1.687 |
| Slots | Gibson PLEK System |
Headstock
| Inlay | Holly Headstock with ‘Gibson’ Pearl Logo |
| Truss Rod Cover | Vintage |
| Angle | 17 Degrees |
Tuners
| Model | Kluson Deluxe |
| Tuning Ratio | 12:01 |
| Plating | Nickel |
Bridge
| Type | ABR |
| Plating | Nickel |
Tailpiece
| Type | Aluminum Stopbar Tailpiece |
| Plating | Nickel |
Hardware
| Knobs | Gold Top Hats |
| Pickup Mounting Rings | Cream |
| Control Plate Cover | Black |
| Strings | .008 – .040 |
| Strap Buttons | Aluminum Gibson End Pins |
Pickups
| Neck Position | Seymour Duncan Pearly Gates |
| Bridge Position | Seymour Duncan Pearly Gates |
Electronics
| Potentiometers | 2 Volume Controls 1 Tone Control |
| Capacitors | BumbleBee |
| Output Jack | 1/4″ Mono |
Finish
| Sealer | Nitrocellulose |
| Process | 1-1.5 mils |
Case
| Type | Custom Shop Hardshell |
Accessories
| Certificate of Authenticity | ‘Billy F. Gibbons Goldtop Certifcate of Authenticity in Leather Bound Folder |





























