Like the 200 Series, the sapele 100 Series incorporates layered back and sides, which offer extra resilience to fluctuating climate conditions, and a slightly narrower 1 11/16-inch neck. It’s one of the best full-size guitars you’ll find for the money. It makes a viable performance tool, a great entry-level guitar, or a second utility guitar for alternate tunings.
Shape Grand Auditorium
Number of Strings 6
Back/Side Wood Layered Sapele
Scale length 25-1/2″
Top Wood Sitka Spruce
Body Length 20″
Body Width 16″
Body Depth 4 5/8″
Nut & Saddle Nubone Nut/Tusq Saddle
Neck Width 1-11/16″
Bracing Forward Shifted Pattern
Fretboard Wood Ebony
Fretboard Inlay 6mm Dots
Headstock Overlay Indian Rosewood
Bridge Inlay None
Bridge Pins Black
Tuners Die-Cast Chrome
Truss Rod Cover Black Plastic
Back/Side Finish Varnish
Top Finish Varnish
Neck Finish Varnish
Case Gig Bag
Number of Frets 20
Armrest Binding None
Back Config Laminate
Backstrap Wood None
Backstrap Finish None
Brand of Strings Elixir Phosphor Bronze Light
Edge Trim None
Fingerboard Ext None
Fretboard Binding None
Heel Cap Binding Black
Heel length 3-1/2″
Peghead Finish Varnish
Peghead Inlay None
Peghead Binding None
Peghead Logo Taylor Colorcore
Peghead Type Standard
Rosette Mat. Plastic
Rosette Size Three Ring
Type of Neck Joint Scarf
GRAND AUDITORIUM (GA)
TAYLOR’S SIGNATURE SHAPE EMBODIES THE ULTIMATE ALL-PURPOSE ACOUSTIC.
Our most popular and versatile body shape, the mid-size Grand Auditorium arrived in 1994 bearing refined proportions that fell between a Dreadnought and Grand Concert. While the bigger Dreadnought was traditionally considered a flatpicker’s guitar and the smaller Grand Concert catered to fingerstylists, the GA was designed to deliver on both fronts. The shape produced an original acoustic voice that was big enough to handle medium-strength picking and strumming, yet with impressive balance across the tonal spectrum, especially in the midrange, producing clear, well-defined notes that suited both strumming and fingerstyle playing. The GA’s overall presence tracks well with other instruments both in a studio mix and on stage, and singer-songwriters have embraced its utility both for composing and traveling with one guitar. Many people want a single guitar that can cover a variety of styles, which is why the GA continues to be our bestselling shape. If you want a great all-purpose guitar, the multi-dimensional GA won’t let you down.
Inside every Taylor guitar is an important source of its unique sound: bracing. Bracing exists to strengthen the top and back of the guitar, while also allowing enough flexibility and vibration to generate tone. Bracing patterns help “voice” a guitar.
Taylor guitars are known for their balanced tonal response, and our bracing plays a role in that. The way that each brace is shaped and positioned on the soundboard contributes detailed nuances that are so critical that even slight alterations of its design, profile or thickness can result in discernable differences in tone.
You’re likely to hear about “scalloped” bracing, which has become fairly standard on steel-string acoustics. Scalloping is a shaping technique that helps lighten the bracing to prevent it from being excessively bulky, which can restrict top movement.
All of Taylor’s bracing for steel-string models is a form of X-bracing. The “X” provides a continuous flow of strength from the upper bout to the lower bout, which provides rigidity in spite of the soundhole’s location in the middle of the soundboard. We currently offer several versions of X bracing:
STANDARD X (USED ON LAMINATE MODELS)
This is Taylor’s original X pattern, featuring scalloped braces. Standard X bracing is used on the Baby, Big Baby, GS Mini, 100 and 200 Series.
STANDARD II (USED ON THE 300-700 SERIES)
This version shifts the X forward (closer to the soundhole) and incorporates Taylor’s patented relief rout (see description below). These refinements enable more of the top to vibrate, enhancing the tone.
ADVANCED PERFORMANCE (USED ON THE 800 SERIES)
As part of Taylor’s 2014 voicing refinements for the 800 Series, the bracing profiles and placement were customized for each body shape to optimize their inherent strengths. The bracing scheme also incorporates side braces, which add rigidity and help maximize top and back movement. The overall effect on all the shapes is greater warmth, midrange and sustain.
CV (USED ON THE 900 SERIES AND UP)
This version incorporates the relief rout and additional refinements, including subtle contouring differences in the scalloping. In general, guitars with CV bracing sound fuller and fatter without giving up articulation. They are also slightly louder.
THE TAYLOR RELIEF ROUT
Our patented relief rout is a tone-enhancing voicing technique in which a groove is carved along the inside edges of the top. This groove is similar in function to the re-curve on a violin — it “loosens up” the edges of the top, generating extra flexibility without sacrificing structural integrity. We first began using this groove in 2002. The result is increased bass and volume with a balanced tone.
Origin: Northwestern North America (Coastal Rainforests of Alaska and Canada)
Used On: Most models
As a guitar soundboard, or top, Sitka spruce is the tonewood standard of the modern era. It’s used on 85-90 percent of the guitars that Taylor makes. Its combination of strength and elasticity translates into a broad dynamic range, yielding crisp articulation and allowing for everything from aggressive strumming and flatpicking to fingerpicking. Sitka spruce is Bob Taylor’s personal favorite for an all-around great guitar.
Goes Well With: All styles of guitars and players.
Used On: The 100 Series, GS Mini, Baby, Big Baby
While the rich tones of solid wood remain unmatched, a layered wood construction can yield great sound in a beautiful, durable and affordable instrument. Such is the case with layered sapele, in which we use interior and exterior veneers of sapele with a core layer of poplar between them. One of the benefits of layered wood for guitars is extra resilience in the face of fluctuating humidity conditions. This comes in handy for guitars like the GS Mini and Baby Taylor models, which are travel-friendly guitars that may be more directly exposed to different environments. All Taylor layered-wood models feature a solid wood top to optimize the tonal response.