| BODY | |
|---|---|
| Body Construction | Solidbody |
| Body Wood | Poplar |
| Top Carve | Flat Top |
| NECK | |
|---|---|
| Number of Frets | 22 |
| Scale Length | 25.5″ |
| Neck Wood | Maple |
| Neck Construction | Multi-Ply |
| Truss Rod | PRS Double-Acting |
| Neck Shape | 635JM |
| Neck Depth At The Nut | 53/64″ |
| Neck Of Fretboard At The Nut | 1 20/32″ |
| Neck Of Fretboard At The Body | 2 7/32″ |
| Fretboard Wood | Rosewood |
| Fretboard Radius | 8.5” |
| Fretboard Inlay | Small Birds |
| Headstock Logo | Signature “SE”, Decal |
| NECK/BODY ASSEMBLY | |
|---|---|
| Neck/Body Assembly Type | Bolt-On |
| HARDWARE | |
|---|---|
| Bridge | 2-Point Steel Tremolo |
| Tuners | Vintage-Style |
| Hardware Type | Nickel |
| Nut | Synthetic Bone |
| ELECTRONICS | |
|---|---|
| Controls | Volume and Two Tone Controls with 5-Way Blade Pickup Switch |
| ADDITIONAL INFO | |
|---|---|
| Strings | PRS Classic 10-46 |
| Tuning | Standard (6 String): E, A, D, G, B, E |
| Case | Gigbag |
| BODY | |
|---|---|
| Body Construction | Solidbody |
| Body Wood | Poplar |
| Top Carve | Flat Top |
| NECK | |
|---|---|
| Number of Frets | 22 |
| Scale Length | 25.5″ |
| Neck Wood | Maple |
| Neck Construction | Multi-Ply |
| Truss Rod | PRS Double-Acting |
| Neck Shape | 635JM |
| Neck Depth At The Nut | 53/64″ |
| Neck Of Fretboard At The Nut | 1 20/32″ |
| Neck Of Fretboard At The Body | 2 7/32″ |
| Fretboard Wood | Rosewood |
| Fretboard Radius | 8.5” |
| Fretboard Inlay | Small Birds |
| Headstock Logo | Signature “SE”, Decal |
| NECK/BODY ASSEMBLY | |
|---|---|
| Neck/Body Assembly Type | Bolt-On |
| HARDWARE | |
|---|---|
| Bridge | 2-Point Steel Tremolo |
| Tuners | Vintage-Style |
| Hardware Type | Nickel |
| Nut | Synthetic Bone |
| ELECTRONICS | |
|---|---|
| Controls | Volume and Two Tone Controls with 5-Way Blade Pickup Switch |
| ADDITIONAL INFO | |
|---|---|
| Strings | PRS Classic 10-46 |
| Tuning | Standard (6 String): E, A, D, G, B, E |
| Case | Gigbag |
| BODY | |
|---|---|
| Body Construction | Solidbody |
| Body Wood | Poplar |
| Top Carve | Flat Top |
| NECK | |
|---|---|
| Number of Frets | 22 |
| Scale Length | 25.5″ |
| Neck Wood | Maple |
| Neck Construction | Multi-Ply |
| Truss Rod | PRS Double-Acting |
| Neck Shape | 635JM |
| Neck Depth At The Nut | 53/64″ |
| Neck Of Fretboard At The Nut | 1 20/32″ |
| Neck Of Fretboard At The Body | 2 7/32″ |
| Fretboard Wood | Rosewood |
| Fretboard Radius | 8.5” |
| Fretboard Inlay | Small Birds |
| Headstock Logo | Signature “SE”, Decal |
| NECK/BODY ASSEMBLY | |
|---|---|
| Neck/Body Assembly Type | Bolt-On |
| HARDWARE | |
|---|---|
| Bridge | 2-Point Steel Tremolo |
| Tuners | Vintage-Style |
| Hardware Type | Nickel |
| Nut | Synthetic Bone |
| ELECTRONICS | |
|---|---|
| Controls | Volume and Two Tone Controls with 5-Way Blade Pickup Switch |
| ADDITIONAL INFO | |
|---|---|
| Strings | PRS Classic 10-46 |
| Tuning | Standard (6 String): E, A, D, G, B, E |
| Case | Gigbag |
| BODY | |
|---|---|
| Body Construction | Solidbody |
| Body Wood | Poplar |
| Top Carve | Flat Top |
| NECK | |
|---|---|
| Number of Frets | 22 |
| Scale Length | 25.5″ |
| Neck Wood | Maple |
| Neck Construction | Multi-Ply |
| Truss Rod | PRS Double-Acting |
| Neck Shape | 635JM |
| Neck Depth At The Nut | 53/64″ |
| Neck Of Fretboard At The Nut | 1 20/32″ |
| Neck Of Fretboard At The Body | 2 7/32″ |
| Fretboard Wood | Rosewood |
| Fretboard Radius | 8.5” |
| Fretboard Inlay | Small Birds |
| Headstock Logo | Signature “SE”, Decal |
| NECK/BODY ASSEMBLY | |
|---|---|
| Neck/Body Assembly Type | Bolt-On |
| HARDWARE | |
|---|---|
| Bridge | 2-Point Steel Tremolo |
| Tuners | Vintage-Style |
| Hardware Type | Nickel |
| Nut | Synthetic Bone |
| ELECTRONICS | |
|---|---|
| Controls | Volume and Two Tone Controls with 5-Way Blade Pickup Switch |
| ADDITIONAL INFO | |
|---|---|
| Strings | PRS Classic 10-46 |
| Tuning | Standard (6 String): E, A, D, G, B, E |
| Case | Gigbag |
Beautiful and light 60th Anniversary 59 Les Paul with complete
Historic Makeover made by Mathias Schindenutte.
Correct bindings and top reshaping
Beautiful Dark Brazilian Fretboard
Painting with thinskin non plasticized real nitro
Beutiful and natural aging
Tom Bartlett V 3 Pickup Rings
Tom Bartlett V 3 Pickguard
Vintage Heaven Truss Rod Cover
Vintage Heaven Knobs
Dave Johnson Fretboard Inlays
Vipots with Nos Caps
Gibson Custom Buckers Pickups
Original Gibson Hardware
Original Gibson Aged Case
Coa and Papers
Very few black Les Paul Junior Double Cutaways were made in 1959 and even fewer exist today. Collector’s Choice #19 is the first Les Paul Junior to be offered in the series and is based on one of the finest of its kind we’ve seen. It breaths that unmistakable P-90 tone and embodies the trademark feel and Spartan aesthetic that emerged from Gibson’s intent to offer an entry level model that delivered uncompromised performance.
Aged Lamp Black finish Wet-sanded thin nitrocellulose lacquer for ’59-era look, feel and tone
Butyrate Top Hat knobs Another symbol of our commitment to Historic detail
P-90 “Dogear” Pickup For the sweetly aggressive sound of Gibson’s legendary fat single-coil pickup
Lightweight mahogany body Hand selected to match the quality of tonewoods used in vintage guitars
Historic peghead contours “Broken” or rounded headstock edges and body radiuses create that soft, accurate vintage look and feel
Hide glue neck construction The way it was done in the ’50s, for optimum tone and great build integrity
Tortoiseshell pickguard Beautifully complements the hand-aged body
Aged brown Reissue hardshell case The final touch to an accurate re-creation
| Top | |
| Wood Species: | |
| Pieces: | |
| Grade: | |
| Binding: | |
| Back | |
| Wood Species: | Mahogany |
| Pieces: | 1 |
| Density: | |
| Binding: | None |
| Weight | |
| Weight Relief: | None |
| Average Weight (body only): | 3.175 kg / 7.0 lbs average |
| Materials Used | |
| Glue: | |
| Tonal, Resonant, and/or Technical Effect: | Hand selected bodies for lightweight |
| Body Contour | |
| Carve: | Original 1959 Les Paul Junior |
| Neck | |
| Wood Species: | Mahogany |
| Pieces: | 1 |
| Details | |
| Truss Rod: | Historic Reissue-No Tubing |
| Profile: | Hinson |
| Thickness at Fret 1: | 2.26 cm /.925″ |
| Thickness at Fret 12: | 2.54 cm / .988″ |
| Other Materials: | |
| Average Weight: | .453592 kg / 1.25 lbs |
| Peg Head | |
| Type: | Historic LP Junior |
| Inlay: | |
| Peg Head Binding: | |
| Logo: | Gibson |
| Silkscreen: | Les Paul |
| Headstock Angle: | 17 Degrees |
| Tonal, Resonant, and/or Technical Effect: | |
| Neck Fit | |
| Joint Angle: | 4 Degrees |
| Joint Angle Tolerance: | |
| Type: | Junior Reissue |
| Adhesive: | Hot Hide Glue |
| Gauges Used: | Pitch and Alignment Gauge |
| Nut | |
| Style: | 6-Jun |
| Material: | Nylon |
| Width: | 4.28 cm / 1.687″ |
| Slots: | E: .13716 cm / 0.054″ A: .10414 cm / 0.041″ D: .04826 cm / 0.019″ G: .0381 cm / 0.015″ B: .03556 cm / 0.014″ e: .03048 cm / 0.012″ |
| Fingerboard | |
| Wood Species: | Solid Indian Rosewood |
| Pieces: | 1 |
| Shade: | |
| Fingerboard Details | |
| Radius: | 30.38 cm / 12″ |
| Frets: | 22 |
| Nut/End of Board: | 4.28498 cm / 1.687″ @ nut, 5.6896 cm / 2.24″ @ end of board |
| Scale: | 62.865 cm / 24.75″ |
| Binding: | |
| Side Dots (Color): | |
| Fingerboard Inlays | |
| Style: | Dot |
| Material: | Pearloid |
| Dimensions: | 0.25 |
| Average Weight: | .75 lbs / .340194 kg |
| Color Code: | EB |
| Surface Texture: | Hand Aged, True Historic, Wet-Sanded, Thin Lacquer Finish |
| Filler: | Walnut |
| Sealer: | Nitro Cellulose |
| Top: | |
| Top Coat: | Nitro Cellulose |
| Scraped: | By hand |
| Pickups | Rhythm | Lead | |
|---|---|---|---|
| Style: | P90 | ||
| Winds/Coil: Screw side/Slug side: | 9150 | ||
| Material of Wire (gauge): | 42 | ||
| Coil Dimensions (per coil): | 6.6294 cm x 1.7272 cm x .9525 cm / 2.61 x.68 x .375″ | ||
| Coil Material: | ABS | ||
| Coil Winding Process: | Machine Wound | ||
| Pole Piece Material: | 416 Grade Stainless Steel | ||
| Pole Piece Position from Nut: | 59.7 cm / 23.5″ | ||
| Slug Material: | 416 Grade Stainless Steel | ||
| Slug Dimensions (diameter x length): | 47.3075 cm / 18.625″ | ||
| Magnet Material: | Alnico III | ||
| Magnet Position from Nut: | 58.36 cm / 22.975″ | ||
| Magnet Dimensions: | 6.35 cm x 1.27 cm x .3175 cm / 2.5 x .5 x .125″ | ||
| Polarities: | |||
| Cover: | P90 Dogear | ||
| Qfactor: | |||
| ResistanceDC: | |||
| Resonant Frequency: | 8.5k | ||
| Tonal & Resonant Advancements: | |||
| Tuning Keys | |
|---|---|
| Style: | White Button 3 on-a-side Kluson |
| Material: | Nickel Plated Steel |
| Weight: | 3.6 oz |
| Tuning Keys Details | |
| Tuning Ratio: | 12:01 |
| Gear Type: | Enclosed |
| What is allowable turn: | 1/4 |
| Plating specs: | Nickel Plated Stamped Steel |
| Part numbers: | 130-430-14808 |
| String Dimensions | |
| E: | .11684 cm / .046W |
| A: | .09144 cm / .036W |
| D: | .06604 cm / .026W |
| G: | .04318 cm / .017P |
| B: | .03302 cm / .013P |
| e: | .0254 cm / .010P |
| Bridge | |
| Style: | Wrap Around with screws |
| Material: | Nickel Plated |
| Plating Specs: | Zinc Surrounded by a die casting alloy for casting flow-Nickel Plated |
| Part number: | 130-430-10161 |
| Weight: | .0637 kg / 2.25 oz. |
| Dimensions of String Slots | |
| E: | 0.1778 cm / 0.070″ |
| A: | 0.13716 cm / 0.054″ |
| D: | 0.1016 cm / 0.040″ |
| G: | 0.0635 cm / 0.025″ |
| B: | 0.0508 cm / 0.02″ |
| e: | 0.0381 cm / 0.015″ |
| Output Jack | |
| Style: | 1/4″ |
| Jack Plate | |
| Style: | 50’s Black/White Laminated |
| Material: | Plastic |
| Part Number: | 130-430-19299C |
| Weight: | .0056699 kg / .2 oz |
| Strap Buttons | |
| Material: | Aluminum |
| Plating Specs: | None |
| Part numbers: | 130-430-19150 |
| Weight: | .0141748 kg / .5 oz |
| Pick Guard | |
|---|---|
| Style: | Lp Junior Faux Tortoise |
| Part Number: | 130-430-12768 |
| Truss Rod Cover | |
| Style: | LP Jr |
| Part Number: | 130-430-19784 |
| Knobs | |
| Style: | True Historic Butyrate Black Top Hats |
| Part Number: | 130-430-19778V |
| Dial Pointers | |
| Yes/No: | Yes |
| Control Plate(s) (Backplate Cover) | |
|---|---|
| Style: | Reissue Les Paul .09 Black Royalite |
| Part Number: | 130-430-19808 |
| Case | |
|---|---|
| Style: | Aged Reissue Les Paul |
| Color: | Aged Reissue Brown with Pink Fur Lining |
| Strap Locks: | No |
| Tools: | None |
| Manual: | None |
| COA/Other: | Custom Shop Certificate of Authenticity in Binder |
With the fast-playing, comfortable feel of a guitar that’s seen more than a few stages, the Custom Shop 1960 Relic Stratocaster unites authentic vintage style and sound with contemporary features. The lightweight two-piece select alder body bears a color-over-color paint scheme, finished with nitrocellulose lacquer to let the wood breathe with pure Fender tone, while the tinted quartersawn maple neck has a comfortable “Oval C”-shaped profile, and wears the same Heavy Relic finish as the body.
The trio of hand-wound 60/63 Strat pickups includes a reverse-wound/reverse-polarity middle pickup, reducing RF- and EMI-induced hum in positions two and four. A five-way switch and modified wiring—including a Tone-Saver treble-bleed circuit—selects pickups in almost any combination while preserving your tone, no matter where the instrument’s volume is set.
Other phenomenal features include a comfortably modern 9.5”-radius slab rosewood fingerboard, 21 Jescar 6100 jumbo frets, American Vintage synchronized tremolo bridge, vintage-style tuning machines with Fender logo, bone nut and wing string tree with metal spacer. Includes a deluxe hardshell case, strap and Custom Shop Certificate of Authenticity.
General
| Model Name: | 1960 Relic® Stratocaster®, Rosewood Fingerboard, Aged Fiesta Red |
| Model Number: | 1630160840 |
| Series: | Team Built 30TH Anniversary Limited Edition |
| Color: | Aged Fiesta Red |
Body
| Body Shape: | Stratocaster® |
| Body Material: | 2-Piece Select Alder |
| Body Finish: | Nitrocellulose Lacquer |
Neck
| Neck Material: | Quartersawn Maple |
| Neck Shape: | Mid ’60s Oval “C” |
| Scale Length: | 25.5″ (64.8 cm) |
| Fingerboard Radius: | 9.5″ (241 mm) |
| Number of Frets: | 21 |
| Fret Size: | 6100 Jumbo |
| String Nut: | Bone |
| Neck Plate: | 4-Bolt Vintage-Style |
| Neck Finish: | Nitrocellulose Lacquer |
| Fingerboard: | AAA Rosewood |
| Position Inlays: | Vintage Clay Dot |
Electronics
| Bridge Pickup: | Custom Shop Hand-Wound 60/63 Bridge |
| Middle Pickup: | Custom Shop Hand-Wound 60/63 RWRP Middle |
| Neck Pickup: | Custom Shop Hand-Wound 60/63 Neck |
| Controls: | Master Volume, Tone 1. (Neck/Middle Pickups), Tone 2. (Bridge Pickup) |
| Pickup Switching: | 5-Position Blade: Position 1. Bridge Pickup, Position 2. Bridge and Middle Pickup, Position 3. Middle Pickup, Position 4. Middle and Neck Pickup, Position 5. Neck Pickup |
| Pickup Configuration: | SSS |
Hardware
| Bridge: | 6-Saddle American Vintage Synchronized Tremolo |
| Tuning Machines: | Vintage-Style with Fender Logo |
| Orientation: | Right-Hand |
| Pickguard: | 3-Ply Mint Green |
| Control Knobs: | Custom Relic® Vintage White |
Miscellaneous
| Strings: | NPS, .010-.046 Gauges |
| Included Accessories: | Deluxe Hardshell Case, Strap, Polishing Cloth, Certificate of Authenticity |
The 2016 Winter NAMM 1964 Stratocaster pays tribute to the mid-60s iteration of a rock n’ roll icon and does so with style. The Mid-60’s oval “C” neck profile is one of the most popular of all time, paired with a killer alder body and amazing hand wound pickups: a Fat 60s (neck and bridge) and Handwound Reverse Wound Fat 60s (middle position). This Limited Edition NAMM instrument is a must see and a stellar tribute to a mid 60s classic.
General
| Model Name: | 1964 Relic® Stratocaster®, Namm 2016 Replica Aged Fiesta Red |
| Model Number: | 101999064 |
| Series: | Namm Limited Edition |
| Color: | Aged Fiesta Red |
Body
| Body Shape: | Stratocaster® |
| Body Material: | 2-Piece Select Alder |
| Body Finish: | Nitrocellulose Lacquer |
Neck
| Neck Material: | AAA Flamed Maple |
| Neck Shape: | Mid ’60s Oval “C” |
| Scale Length: | 25.5″ (64.8 cm) |
| Fingerboard Radius: | 9.5″ (241 mm) |
| Number of Frets: | 21 |
| Fret Size: | 6105 Med/ Jumbo |
| String Nut: | Bone |
| Neck Plate: | 4-Bolt Vintage-Style |
| Neck Finish: | Nitrocellulose Lacquer |
| Fingerboard: | AAA Round Lam Rosewood |
| Position Inlays: | Vintage Clay Dot |
Electronics
| Bridge Pickup: | Custom Shop Hand-Wound Signed Fat 60 Bridge |
| Middle Pickup: | Custom Shop Hand-Wound Signed Fat 60 RWRP Middle |
| Neck Pickup: | Custom Shop Hand-Wound Signed Fat 60 Neck |
| Controls: | Master Volume, Tone 1. (Neck/Middle Pickups), Tone 2. (Bridge Pickup) |
| Pickup Switching: | 5-Position Blade: Position 1. Bridge Pickup, Position 2. Bridge and Middle Pickup, Position 3. Middle Pickup, Position 4. Middle and Neck Pickup, Position 5. Neck Pickup |
| Pickup Configuration: | SSS |
Hardware
| Bridge: | 6-Saddle American Vintage Synchronized Tremolo |
| Tuning Machines: | Vintage-Style with Fender Logo |
| Orientation: | Right-Hand |
| Pickguard: | 3-Ply Mint Green |
| Control Knobs: | Custom Relic® Vintage White |
Miscellaneous
| Strings: | NPS, .010-.046 Gauges |
| Included Accessories: | Deluxe Black Tolex Hardshell Case, Strap, Certificate of Authenticity |
Very few black Les Paul Junior Double Cutaways were made in 1959 and even fewer exist today. Collector’s Choice #19 is the first Les Paul Junior to be offered in the series and is based on one of the finest of its kind we’ve seen. It breaths that unmistakable P-90 tone and embodies the trademark feel and Spartan aesthetic that emerged from Gibson’s intent to offer an entry level model that delivered uncompromised performance.
Aged Lamp Black finish Wet-sanded thin nitrocellulose lacquer for ’59-era look, feel and tone
Butyrate Top Hat knobs Another symbol of our commitment to Historic detail
P-90 “Dogear” Pickup For the sweetly aggressive sound of Gibson’s legendary fat single-coil pickup
Lightweight mahogany body Hand selected to match the quality of tonewoods used in vintage guitars
Tortoiseshell pickguard Beautifully complements the hand-aged body
Aged brown Reissue hardshell case The final touch to an accurate re-creation
| Top | |
| Wood Species: | |
| Pieces: | |
| Grade: | |
| Binding: | |
| Â | |
| Back | |
| Wood Species: | Mahogany |
| Pieces: | 1 |
| Density: | |
| Binding: | None |
| Weight | |
| Weight Relief: | None |
| Average Weight (body only): | 3.175 kg / 7.0 lbs average |
| Â | |
| Materials Used | |
| Glue: | |
| Â | |
| Tonal, Resonant, and/or Technical Effect: | Hand selected bodies for lightweight |
| Â | |
| Body Contour | |
| Carve: | Original 1959 Les Paul Junior |
| Neck | |
| Wood Species: | Mahogany |
| Pieces: | 1 |
| Â | |
| Details | |
| Truss Rod: | Historic Reissue-No Tubing |
| Profile: | Hinson |
| Thickness at Fret 1: | 2.26 cm /.925″ |
| Thickness at Fret 12: | 2.54 cm / .988″ |
| Other Materials: | |
| Average Weight: | .453592 kg / 1.25 lbs |
| Â | |
| Peg Head | |
| Type: | Historic LP Junior |
| Inlay: | |
| Peg Head Binding: | |
| Logo: | Gibson |
| Silkscreen: | Les Paul |
| Headstock Angle: | 17 Degrees |
| Tonal, Resonant, and/or Technical Effect: | |
| Â | |
| Neck Fit | |
| Joint Angle: | 4 Degrees |
| Joint Angle Tolerance: | |
| Type: | Junior Reissue |
| Adhesive: | Hot Hide Glue |
| Gauges Used: | Pitch and Alignment Gauge |
| Nut | |
| Style: | 6-Jun |
| Material: | Nylon |
| Width: | 4.28 cm / 1.687″ |
| Slots: | E: .13716 cm / 0.054″ A: .10414 cm / 0.041″ D: .04826 cm / 0.019″ G: .0381 cm / 0.015″ B: .03556 cm / 0.014″ e: .03048 cm / 0.012″ |
| Â | |
| Fingerboard | |
| Wood Species: | Solid Indian Rosewood |
| Pieces: | 1 |
| Shade: | |
| Â | |
| Fingerboard Details | |
| Radius: | 30.38 cm / 12″ |
| Frets: | 22 |
| Nut/End of Board: | 4.28498 cm / 1.687″ @ nut, 5.6896 cm / 2.24″ @ end of board |
| Scale: | 62.865 cm / 24.75″ |
| Binding: | |
| Side Dots (Color): | |
| Â | |
| Fingerboard Inlays | |
| Style: | Dot |
| Material: | Pearloid |
| Dimensions: | 0.25 |
| Average Weight: | .75 lbs / .340194 kg |
| Color Code: | EB |
| Surface Texture: | Hand Aged, True Historic, Wet-Sanded, Thin Lacquer Finish |
| Filler: | Walnut |
| Sealer: | Nitro Cellulose |
| Top: | |
| Top Coat: | Nitro Cellulose |
| Scraped: | By hand |
| Pickups | Rhythm | Lead | |
|---|---|---|---|
| Style: | P90 | ||
| Winds/Coil: Screw side/Slug side: | 9150 | ||
| Material of Wire (gauge): | 42 | ||
| Coil Dimensions (per coil): | 6.6294 cm x 1.7272 cm x .9525 cm / 2.61 x.68 x .375″ | ||
| Coil Material: | ABS | ||
| Coil Winding Process: | Machine Wound | ||
| Pole Piece Material: | 416 Grade Stainless Steel | ||
| Pole Piece Position from Nut: | 59.7 cm / 23.5″ | ||
| Slug Material: | 416 Grade Stainless Steel | ||
| Slug Dimensions (diameter x length): | 47.3075 cm / 18.625″ | ||
| Magnet Material: | Alnico III | ||
| Magnet Position from Nut: | 58.36 cm / 22.975″ | ||
| Magnet Dimensions: | 6.35 cm x 1.27 cm x .3175 cm / 2.5 x .5 x .125″ | ||
| Polarities: | |||
| Cover: | P90 Dogear | ||
| Qfactor: | |||
| ResistanceDC: | |||
| Resonant Frequency: | 8.5k | ||
| Tonal & Resonant Advancements: | |||
| Tuning Keys | |
|---|---|
| Style: | White Button 3 on-a-side Kluson |
| Material: | Nickel Plated Steel |
| Weight: | 3.6 oz |
| Â | |
| Tuning Keys Details | |
| Tuning Ratio: | 12:01 |
| Gear Type: | Enclosed |
| What is allowable turn: | 1/4 |
| Plating specs: | Nickel Plated Stamped Steel |
| Part numbers: | 130-430-14808 |
| Â | |
| String Dimensions | |
| E: | .11684 cm / .046W |
| A: | .09144 cm / .036W |
| D: | .06604 cm / .026W |
| G: | .04318 cm / .017P |
| B: | .03302 cm / .013P |
| e: | .0254 cm / .010P |
| Â | |
| Bridge | |
| Style: | Wrap Around with screws |
| Material: | Nickel Plated |
| Plating Specs: | Zinc Surrounded by a die casting alloy for casting flow-Nickel Plated |
| Part number: | 130-430-10161 |
| Weight: | .0637 kg / 2.25 oz. |
| Â | |
| Dimensions of String Slots | |
| E: | 0.1778 cm / 0.070″ |
| A: | 0.13716 cm / 0.054″ |
| D: | 0.1016 cm / 0.040″ |
| G: | 0.0635 cm / 0.025″ |
| B: | 0.0508 cm / 0.02″ |
| e: | 0.0381 cm / 0.015″ |
| Â | |
| Output Jack | |
| Style: | 1/4″ |
| Â | |
| Jack Plate | |
| Style: | 50’s Black/White Laminated |
| Material: | Plastic |
| Part Number: | 130-430-19299C |
| Weight: | .0056699 kg / .2 oz |
| Â | |
| Strap Buttons | |
| Material: | Aluminum |
| Plating Specs: | None |
| Part numbers: | 130-430-19150 |
| Weight: | .0141748 kg / .5 oz |
| Pick Guard | |
|---|---|
| Style: | Lp Junior Faux Tortoise |
| Part Number: | 130-430-12768 |
| Â | |
| Truss Rod Cover | |
| Style: | LP Jr |
| Part Number: | 130-430-19784 |
| Â | |
| Knobs | |
| Style: | True Historic Butyrate Black Top Hats |
| Part Number: | 130-430-19778V |
| Â | |
| Dial Pointers | |
| Yes/No: | Yes |
| Control Plate(s) (Backplate Cover) | |
|---|---|
| Style: | Reissue Les Paul .09 Black Royalite |
| Part Number: | 130-430-19808 |
| Â |
| Case | |
|---|---|
| Style: | Aged Reissue Les Paul |
| Color: | Aged Reissue Brown with Pink Fur Lining |
| Â | |
| Strap Locks: | No |
| Tools: | None |
| Â | |
| Manual: | None |
| COA/Other: | Custom Shop Certificate of Authenticity in Binder |
The ES-175 has long been the world’s most popular jazz guitar, and the 2016 1959 ES-175D from Gibson Memphis captures the most desirable incarnation in its truest form.
Fully hollow archtop The ES-175 Figured retains the classic “jazz box” build and shape that is instantly recognizable Elegant inlays Pearl split-parallelogram inlays are another hallmark of this great archtop
Hide glue construction The use of hot hide glue for the neck joint and quarter-sawn Adirondack spruce braces accurately matches late-’50s build processes
Rolled fingerboard binding By “rolling” or “breaking” the binding at the fingerboard edge we create a softer playing feel
Historic truss rod Our historic truss rod has no tube, a proven known to enhance the guitar’s resonance and sustain
MHS pickups Our best PAF reproductions yet, the MHS humbuckers present superb sonic depth with outstanding character and clarity
VOS nitro finish The nitrocellulose finish is given our proprietary VOS treatment for a gently-aged patina
| Top | |
| Wood Species: | Maple, Poplar, Maple |
| Pieces: | 3-Ply |
| Grade: | Vintage Plain |
| Binding: | Tan |
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| Back | |
| Wood Species: | Maple, Poplar, Maple |
| Pieces: | 3-Ply |
| Density: | Vintage Plain |
| Binding: | Tan |
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| Rims | |
| Species Wood: | Maple, Poplar, Maple |
| Pieces: | Single |
| Grade: | Vintage Plain |
| Weight | |
| Weight Relief: | Hollow body construction |
| Average Weight (body only): | 1.4084 kg / 3.105 lbs |
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| Materials Used | |
| Glue: | Hot Hide glue for braces, Franklin Titebond 50 for rims |
| Etc.: | Mahogany Headblock & Tailblock, Quartered Adirondack Spruce braces, Fabric rim stays |
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| Tonal, Resonant, and/or Technical Effect: | The sound waves resonate within the hollow airspace of the Maple veneered Body, around the F-holes, and throughout the solid glue joints. |
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| Body Contour | |
| Carve: | ES-175 (Hollow) |
| Neck | |
| Wood Species: | Mahogany |
| Pieces: | 1 |
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| Details | |
| Truss Rod: | Historic |
| Profile: | Soft “C” |
| Thickness at Fret 1: | 21.717 mm / .855″ |
| Thickness at Fret 12: | 25.40 mm / 1.000″ |
| Other Materials: | Assembly 65 glue |
| Average Weight: | 471.7361 g / 1.040 lbs |
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| Peg Head | |
| Type: | SP-1 |
| Inlay: | Mother of Pearl Crown |
| Peg Head Binding: | None |
| Logo: | Mother of Pearl “Gibson” |
| Silkscreen: | None |
| Headstock Angle: | 17 degrees |
| Tonal, Resonant, and/or Technical Effect: | The wood, construction, and headstock pitch all contribute greatly to the tone, aiding this guitar’s exceptional sustain and depth, and yielding a resonance that can be felt right through the body |
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| Neck Fit | |
| Joint Angle: | 4 degrees |
| Joint Angle Tolerance: | 0 deg 0 min 15 sec |
| Type: | Mortise and Tenon |
| Adhesive: | Hot Hide Glue |
| Gauges Used: | Pitch Height Gauge |
| Nut | |
| Style: | White |
| Material: | Nylon |
| Width: | 4.3282 cm / 1.704″ |
| Slots: | B: E: 1.4935 mm / 0.0588 inches A: 1.1735 mm / 0.0462 inches D: 0.9068 mm / 0.0357 inches G: 0.6668 mm / 0.02625 inches B: 0.4267 mm / 0.0168 inches e: 0.3200 mm / 0.0126 inches |
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| Fingerboard | |
| Wood Species: | Rosewood |
| Pieces: | 1 |
| Shade: | Dark |
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| Fingerboard Details | |
| Radius: | 30.48 cm / 12 “ |
| Frets: | 20 |
| Nut/End of Board: | 4.3282 cm / 1.704″ @ nut, 5.588 cm / 2.200″ @ end of board |
| Scale: | 62.865 cm / 24.75″ |
| Binding: | Tan |
| Side Dots (Color): | Tortoiseshell |
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| Fingerboard Inlays | |
| Style: | Split Parallelogram |
| Material: | Aged Celluloid |
| Dimensions: | Large: 31.75 mm x 21.59 mm / 1.250″ x 0.850″ |
| Average Weight: | 138.3457 g / 4.880 oz |
| Color Code: | VB |
| Surface Texture: | Smooth/ Hi Gloss 90 Sheen Lacquer – Finished in V.O.S. |
| Filler: | Analine Dye |
| Sealer: | 1-1.5 mils |
| Top: | 330 Wipe Stain, Sunset Orange, VS toner, Tobacco Brown |
| Top Coat: | Hi Gloss Lacquer/ 90 Sheen 7-8 mils |
| Scraped: | Fingerboard Sides, Body and Nut |
| Color Code: | VN |
| Surface Texture: | Smooth/ Hi Gloss 90 Sheen Lacquer – Finished in V.O.S. |
| Filler: | Red Analine Dye |
| Sealer: | 1-1.5 mils |
| Top: | 1959 Natural Stain, Tobacco Stain |
| Top Coat: | Hi Gloss Lacquer/ 90 Sheen 7-8 mils |
| Scraped: | Fingerboard Sides, Body and Nut |
| Pickups | Rhythm | Lead | |
|---|---|---|---|
| Style: | MHS Humbucker | MHS Humbucker | |
| Winds/Coil: Screw side/Slug side: | 4900/5100 | 5200/5400 | |
| Material of Wire (gauge): | Enamel (42) | Enamel (42) | |
| Coil Dimensions (per coil): | 6.6294 cm x 1.7272 mm / 2.61″ x 0.68 “ | 6.6294 cm x 1.7272 mm / 2.61″ x 0.68″ | |
| Coil Material: | ABS | ABS | |
| Coil Winding Process: | Scatter Wound | Scatter Wound | |
| Pole Piece Material: | Nickel plated steel | Nickel plated steel | |
| Pole Piece Position from Nut: | 47.4218 cm / 18.670″ | 59.5173 cm / 23.432″ | |
| Slug Material: | Nickel plated steel | Nickel plated steel | |
| Slug Dimensions (diameter x length): | 4.7498 mm x 1.24206 cm / 0.187″ x .489″ | 4.7498 mm x 1.24206 cm / 0.187″ x .489″ | |
| Magnet Material: | Alnico III | Alnico II | |
| Magnet Position from Nut: | 48.26 cm / 19″ | 58.42 cm / 23″ | |
| Magnet Dimensions: | 6.35 cm x 1.27 mm / 2.5″ x 0.5″ | 6.35 cm x 1.27 mm / 2.5″ x 0.5″ | |
| Polarities: | Screw side is the south pole of magnet | ||
| Cover: | V.O.S. Nickel plated | ||
| Qfactor: | 3.21 | ||
| ResistanceDC: | 7526 ohms | ||
| Resonant Frequency: | 2859.84 Hz | ||
| Tonal & Resonant Advancements: | Historically accurate “Patent Applied For” replica with airy tone and unbalanced coils. Slightly under wound. | ||
| Control Pocket Assembly | Lead Volume | Rhythm Volume | |
|---|---|---|---|
| Type: | CTS 550K Audio | CTS 550K Audio | |
| Peak Voltage: | 1080V | 1080V | |
| Range: | 0-550K | 0-550K | |
| Power Rating: | 1/4 watt above 100K ohms | 1/4 watt above 100K ohms | |
| Resistance Tolerance: | 550K +/- 5% | 550K +/- 5% | |
| Minimum Resistance: | 50 ohms | 50 ohms | |
| Â | |||
| Â | Lead Tone | Rhythm Tone | |
| Type: | CTS 550K Audio | CTS 550K Audio | |
| Peak Voltage: | 1080V | 1080V | |
| Range: | 0-550K | 0-550K | |
| Power Rating: | 1/4 watt above 100K ohms | 1/4 watt above 100K ohms | |
| Resistance Tolerance: | 550K +/- 5% | 550K +/- 5% | |
| Minimum Resistance: | 50 ohms | 50 ohms | |
| Â | |||
| Capacitors: | Lead Value | Rhythm Value | |
| Â | Bumblebee .022mfd/200v | Bumblebee .022mfd/200v |
| Tuning Keys | |
|---|---|
| Style: | Kluson Single Ring Tulip Button |
| Material: | Body is stamped steel with plastic tulip button |
| Weight: | 22.6796 g / 0.8 oz |
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| Tuning Keys Details | |
| Tuning Ratio: | 15:01 |
| Gear Type: | Synchronized spur gear system |
| What is allowable turn: | +/- 4 degrees |
| Plating specs: | V.O.S. Nickel |
| Part numbers: | 430-14139 / 430-14140 |
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| String Dimensions | |
| E: | 1.4224 mm / 0.056″ |
| A: | 1.1176 mm / 0.044″ |
| D: | 0.8636 mm / 0.034″ |
| G: | 0.6350 mm / 0.025″ |
| B: | 0.4064 mm / 0.016″ |
| e: | 0.3048 mm / 0.012″ |
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| Bridge | |
| Style: | Compensated Top with Rosewood Base |
| Material: | V.O.S. Rosewood |
| Plating Specs: | N/A |
| Part number: | 430-10626 / 430-10249 |
| Weight: | 27.2155 g / 0.960 oz |
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| Dimensions of String Slots | |
| E: | 1.4935 mm / 0.0588 inches |
| A: | 1.1735 mm / 0.0462 inches |
| D: | 0.9068 mm / 0.0357 inches |
| G: | 0.6668 mm / 0.02625 inches |
| B: | 0.4267 mm / 0.0168 inches |
| e: | 0.3200 mm / 0.0126 inches |
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| Tailpiece | |
| Style: | Zig-Zag |
| Compensated: | No |
| Material: | Brass |
| Plating Specs: | V.O.S. Nickel |
| Part number: | 430-11012 |
| Weight: | 208.6525 g / 7.360 oz |
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| Output Jack | |
| Style: | 1/4″ jack |
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| Jack Plate | |
| Style: | N/A |
| Material: | N/A |
| Part Number: | N/A |
| Weight: | N/A |
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| Strap Buttons | |
| Material: | V.O.S. Plastic |
| Plating Specs: | None |
| Part numbers: | 430-19521 |
| Weight: | 2.268 g / 0.080 oz |
| Pick Guard | |
|---|---|
| Style: | Multi ply black ES-175 with 45° bevel (V.O.S.) |
| Part Number: | 380-12647 |
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| Truss Rod Cover | |
| Style: | Vintage (V.O.S.) |
| Part Number: | 430-19784 |
| Â | |
| Knobs | |
| Style: | Gold Top Hats (V.O.S.) |
| Part Number: | 430-19778 |
| Â | |
| Dial Pointers | |
| Yes/No: | Yes |
| Control Plate(s) (Backplate Cover) | |
|---|---|
| Style: | N/A |
| Part Number: | N/A |
| Â | |
| Control Plate(s) (SwitchPlate Cover) | |
| Style: | N/A |
| Part Number: | N/A |
| Â | |
| Switch Washer | |
| Style: | N/A |
| Part Number: | N/A |
| Â | |
| Trim Rings | |
| Style: | Black (V.O.S.) |
| Part Number: | 440-13850 |
| Case | |
|---|---|
| Style: | Period Correct Hard Shell |
| Color: | Tan & Pink |
| Â | |
| Strap Locks: | No |
| Tools: | None |
| Â | |
| Manual: | None |
| COA/Other: | Gibson Memphis COA |
application
Warm, moderate-output humbucker. Great for jazz, blues, classic rock and slide.
description
The Alnico 2 magnet and moderate windings yield a warm, sweet tone with more natural string vibration for great sustain. Classic rock players who get their distortion from the amp rather than the pickup love the APH-1. It allows them to back off the crunch and get beautiful clean tones with softer attack. Compared to the ’59, the Alnico II Pro has a rounder sound with a spongier bass response. Comes with four-conductor hookup cable and no logo.
complete setup
Often the APH-1 is used in both neck and bridge positions. Or, in the neck with a higher output pickup like an SH-11 Custom Custom or SHPG-1b Pearly Gates for heavier rock or hotter blues sounds from the bridge position.
guitars
For brighter toned instruments. Works especially well with maple and ebony fingerboards. Also works great with hollow and semi-hollow body guitars.
available mods
Nickel or gold-plated cover. Trembucker. Seymour Duncan logo. Colors (humbucker spacing).
players
Slash / Velvet Revolver & Guns ‘N Roses (neck & bridge), Michael Wilton / Queensryche (bridge), Jeff Tamelier / Tower of Power (neck), Tim Mahoney / 311 (neck), Troy Van Leeuwen / Queens of the Stone Age (neck)
Alnico II ProReturn to Tone ChartThe ultimate vintage blues humbucker
|
application
Warm, moderate-output humbucker. Great for jazz, blues, classic rock and slide.
description
The Alnico 2 magnet and moderate windings yield a warm, sweet tone with more natural string vibration for great sustain. Classic rock players who get their distortion from the amp rather than the pickup love the APH-1. It allows them to back off the crunch and get beautiful clean tones with softer attack. Compared to the ’59, the Alnico II Pro has a rounder sound with a spongier bass response. Comes with four-conductor hookup cable and no logo.
complete setup
Often the APH-1 is used in both neck and bridge positions. Or, in the neck with a higher output pickup like an SH-11 Custom Custom or SHPG-1b Pearly Gates for heavier rock or hotter blues sounds from the bridge position.
guitars
For brighter toned instruments. Works especially well with maple and ebony fingerboards. Also works great with hollow and semi-hollow body guitars.
available mods
Nickel or gold-plated cover. Trembucker. Seymour Duncan logo. Colors (humbucker spacing).
players
Slash / Velvet Revolver & Guns ‘N Roses (neck & bridge), Michael Wilton / Queensryche (bridge), Jeff Tamelier / Tower of Power (neck), Tim Mahoney / 311 (neck), Troy Van Leeuwen / Queens of the Stone Age (neck)
Alnico II ProReturn to Tone ChartThe ultimate vintage blues humbucker
|
application
Warm, moderate-output humbucker. Great for jazz, blues, classic rock and slide.
description
The Alnico 2 magnet and moderate windings yield a warm, sweet tone with more natural string vibration for great sustain. Classic rock players who get their distortion from the amp rather than the pickup love the APH-1. It allows them to back off the crunch and get beautiful clean tones with softer attack. Compared to the ’59, the Alnico II Pro has a rounder sound with a spongier bass response. Comes with four-conductor hookup cable and no logo.
complete setup
Often the APH-1 is used in both neck and bridge positions. Or, in the neck with a higher output pickup like an SH-11 Custom Custom or SHPG-1b Pearly Gates for heavier rock or hotter blues sounds from the bridge position.
guitars
For brighter toned instruments. Works especially well with maple and ebony fingerboards. Also works great with hollow and semi-hollow body guitars.
available mods
Nickel or gold-plated cover. Trembucker. Seymour Duncan logo. Colors (humbucker spacing).
players
Slash / Velvet Revolver & Guns ‘N Roses (neck & bridge), Michael Wilton / Queensryche (bridge), Jeff Tamelier / Tower of Power (neck), Tim Mahoney / 311 (neck), Troy Van Leeuwen / Queens of the Stone Age (neck)
Alnico II ProReturn to Tone ChartThe ultimate vintage blues humbucker
|
application
Warm, moderate-output humbucker. Great for jazz, blues, classic rock and slide.
description
The Alnico 2 magnet and moderate windings yield a warm, sweet tone with more natural string vibration for great sustain. Classic rock players who get their distortion from the amp rather than the pickup love the APH-1. It allows them to back off the crunch and get beautiful clean tones with softer attack. Compared to the ’59, the Alnico II Pro has a rounder sound with a spongier bass response. Comes with four-conductor hookup cable and no logo.
complete setup
Often the APH-1 is used in both neck and bridge positions. Or, in the neck with a higher output pickup like an SH-11 Custom Custom or SHPG-1b Pearly Gates for heavier rock or hotter blues sounds from the bridge position.
guitars
For brighter toned instruments. Works especially well with maple and ebony fingerboards. Also works great with hollow and semi-hollow body guitars.
available mods
Nickel or gold-plated cover. Trembucker. Seymour Duncan logo. Colors (humbucker spacing).
players
Slash / Velvet Revolver & Guns ‘N Roses (neck & bridge), Michael Wilton / Queensryche (bridge), Jeff Tamelier / Tower of Power (neck), Tim Mahoney / 311 (neck), Troy Van Leeuwen / Queens of the Stone Age (neck)
Alnico II ProReturn to Tone ChartThe ultimate vintage blues humbucker
|
application
Warm, moderate-output humbucker. Great for jazz, blues, classic rock and slide.
description
The Alnico 2 magnet and moderate windings yield a warm, sweet tone with more natural string vibration for great sustain. Classic rock players who get their distortion from the amp rather than the pickup love the APH-1. It allows them to back off the crunch and get beautiful clean tones with softer attack. Compared to the ’59, the Alnico II Pro has a rounder sound with a spongier bass response. Comes with four-conductor hookup cable and no logo.
complete setup
Often the APH-1 is used in both neck and bridge positions. Or, in the neck with a higher output pickup like an SH-11 Custom Custom or SHPG-1b Pearly Gates for heavier rock or hotter blues sounds from the bridge position.
guitars
For brighter toned instruments. Works especially well with maple and ebony fingerboards. Also works great with hollow and semi-hollow body guitars.
available mods
Nickel or gold-plated cover. Trembucker. Seymour Duncan logo. Colors (humbucker spacing).
players
Slash / Velvet Revolver & Guns ‘N Roses (neck & bridge), Michael Wilton / Queensryche (bridge), Jeff Tamelier / Tower of Power (neck), Tim Mahoney / 311 (neck), Troy Van Leeuwen / Queens of the Stone Age (neck)
Alnico II ProReturn to Tone ChartThe ultimate vintage blues humbucker
|
Dual Electric Guitar – MONO
The patented Headlock™ design provides a level of protection worthy of the finest instruments. Your guitars quickly strap in and remains stabilized during transport. Both headstocks are suspended inside the case, saving your guitars from both side and rear impacts that could otherwise snap the necks.
Hi-density foam bumpers divert vertical impact out and around the case, away from the strap pin.
Integral ABS panels deliver hardcase protection at a fraction of the weight. The reinforced outer shell of the M80 hybrid case absorbs and deflects hard imact away from the vulnerable areas of the guitar.
This patented “zig zag” design creates a completely separate case for each guitar. That means both headstocks are protected with our Headlock™ suspension system and strap pin bumpers. It also means the M80 Dual can be used with 1 or 2 guitars – something you’ll appreciate on the road. Additionally, the Z-form design allows for immediate access to either guitar.
Padded shoulder straps feature steel rivet reinforcement. Quickly stash one or both shoulder straps on-the-fly.
M80 cases come equipped with the triple D-ring attachments required for the optional Guitar Tick™, the modular tool case designed to extend the storage capacity of your guitar case. The Guitar Tick seamlessly and securely attaches to the M80 guitar case as shown.*
Everything in its place. Specialized storage compartments put your gear right where you need it. Deep gussets make sure your small items stay put.
The hidden upper pocket keeps your wallet, keys, and cell concealed on that subway ride.
The Headlock™ features a clear window pick pocket to keep a variety of picks on hand.
We build our cases to military specs, using only high-test materials with extreme resistance to abrasion and the elements. Inside, the plush lining protects delicate custom finishes. So your guitar rides first class while you launch an urban assault.
Rock solid, industrial webbing handles come standard on MONO cases. Bar-tack stitching and steel rivets reinforce for strength, while high grade webbing provides a super comfortable grip.
Powder-coated steel zipper pulls with self-healing nylon zippers are standard on all compartments. Double zippers also double the lifespan of each pocket.
All M80 cases feature a hard-wearing sole and piping made of Hypalon – the same industrial rubber used to create inflatable military rafts. This sole simply does not wear out.
These measurements represent the inner capacity of the case. If you are unsure about the fit for your guitar, make sure it does not exceed any of the maximum dimensions shown just to be safe. This case is designed to fit two standard body electric guitars including Fenders like Teles and Strats, Gibsons like Les Pauls and SGs, Ibanez, ESP and many others.
Weight: 118 oz (just over 7 lbs)
Single Electric Guitar – MONO
The patented Headlock™ design provides a level of protection worthy of the finest instruments. Your guitar quickly straps in and remains stabilized during transport. The headstock is suspended inside the case, saving the guitar from both side and rear impacts that could otherwise snap the neck. Extensive testing reveals that “Hardcase protection” is a myth, as the Headlock™- equipped M80 outperforms traditional wood and plastic hard cases in every way.
Hi-density foam bumpers divert vertical impact out and around the lower bout of the guitar, away from the strap pin.
Integral ABS panels deliver hardcase protection at a fraction of the weight. (MONO cases weigh in at about 75% less than their hardcase counterparts.) The reinforced outer shell of the M80 hybrid case absorbs and deflects hard imact away from the vulnerable areas of the guitar.
M80 cases come equipped with the triple D-ring attachments required for the optional Guitar Tick™ – the modular tool case designed to extend the storage capacity of your guitar case. The Guitar Tick seamlessly and securely attaches to the M80 guitar case as shown. All M80 guitar and bass cases are now shipped Tick-ready (some older cases may not be – please contact support if you have questions about the Tick-compatibility of your MONO case).
Everything in its place. Specialized storage compartments put your gear right where you need it. Deep gussets make sure your small items stay put.
The hidden upper pocket keeps your wallet, keys, and cell concealed. Pen slots double as tool storage. Business card storage and a durable key clip is also included.
The Headlock™ features a clear window pick pocket to keep a variety of picks on hand.
Well, we dare you to try. We build our cases to military specs, using only high-test materials with extreme resistance to abrasion and the elements. Inside, the plush lining protects delicate custom finishes. So rain or shine, your guitar rides first class while you launch an urban assault.
Rock solid, industrial webbing handles come standard on MONO cases. Bar-tack stitching and steel rivets reinforce for strength, while high grade webbing provides a super comfortable grip.
Powder-coated steel zipper pulls with self-healing nylon zippers are standard on all compartments. Double zippers also double the lifespan of each pocket.
All M80 cases feature a hard-wearing sole and piping made of Hypalon – the same industrial rubber used to create inflatable military rafts. This sole simply does not wear out.
These measurements represent the inner capacity of the case. If you are unsure about the fit for your guitar, make sure it does not exceed any of the maximum dimensions shown just to be safe. This case is designed to fit standard body electric guitars including Fenders like Teles and Strats, Gibsons like Les Pauls and SGs, ESP and many others.
Weight: 83 oz (just over 5 lbs)
